Hello. Do you remember when you watched The X Factor final yesterday? Well, by an astonishing coincidence, so did we. And crikey, wasn’t it just totally and definitely and absolutely unequivocally passable? Yeah. Take that, H8ERS.
*Dermot tongue roll* ALRIIIIGHT. It was in two halves, like the bloody brilliant darling that it is. Is it possible to be too entertained? The answer is of course c) Kaposi’s sarcoma.
Nonetheless, yes they absolutely poured out a grand total of FOUR. HOURS. That’s like an hour and twenty minutes per finalist. How many times can we hear Marcus say, “I used to be a hairdresser, and now I’m a singer a bit.” over and over in varying incorporations? Obviously, once you chop out all the adverts that’s only about twelve minutes or so though, obviously. No bigz. So then. We love adverts. They really really make us want to buy produce via an amusing or creative short film piece. Our favourite advert of course is the one where the little boy can’t wait to give his parents a Christmas present, and how it really really made us want to buy padlocks for our doors. Oh alright, “The X Factor” then. Here’s loads of wank about it, in two sections.
Hello, we didn’t watch Saturday’s X Factor. Why would we? But if we HAD, the review would have gone something along the lines of this:
Oh crikey, look at all these dead sparrows and PVC and contraceptive pills strewn upon Wembley Stadium. We guess it must be the penultimate X Factor final show! So for those of you who missed it (JEEZ GUYS WHERE WERE YOU? We bought dip, and everything) – Dermot hot stepped to Domi Aragoto Mr Roboto in a tank with women wearing Jodie Marsh’s army belt outfit (this was before the pumping steroids into her neck phase) and – were those tears? Oh no, it’s just perspiration from being sewn into grey woollens for the past three years.
Well, first up to perform was definitely Amelia Lily, which we know for absolute definite. Well, wasn’t she good, gang? Yes, she really sang that Christina Aguilera ballad with quite the pazzazz and passion that Christina Aguilera hardly ever bothers about. And not to mention that bit where the smoke surrounded her and the other stuff happened, that was our favourite bit. Obviously that key change was a little bit too emotional for our tastes, but that’s just because we’re fragile. Amelia’s choice of outfit was a bit ‘punk’ as well, wasn’t it? You could take someone’s eye out with that thing. Nick Broomfield basically did a documentary about it because it was so sadomasochistically wounded. The judges LOVED. IT. Louis completely rammed Kelly in approval of picking a song for Amelia that he had heard of. It wasn’t our favourite sex we’ve ever seen, but it was better than the Alex Reid porno marginally, and we’re very lonely. He’s having a baby now.
And then up came LITTLE MIX to perform some songs about what on Earth it could possibly be like to be young normal women, which we’ve always been completely nonplussed about. We mean, “women who are down to earth”. It doesn’t really seem to make much sense, seeing as how Queen Elizabeth I was a woman, and how Heidi Klum is DEFINITELY a woman. It makes sense, no. Nonetheless we’re sure you all enjoyed Little Mix’s medley of “Survivor”/”Sisters are doing it for themselves”/”I Will Survive”/”You Make Me Feel Like a Natural Woman”/”Woman”/”Women”/”Girl”/”Girls”/”Girls Girls Girls”. We sure did. But you know what we’re like, we love everything. We’re like a walking Tom Jones allegory.
Finally to perform was MARCUS COLLINS. Warraguy. Loved it when Marcus trotted down those steps in Gene Wilder’s Willy Wonka costume from 1971 and sang the entire saxophone solo from Careless Whisper in particular, all the other stuff we could take or leaves. Tulisa going off on a massive scavenger hunt for self esteem half way through his performance was a trifle odd though, we must say – but then again she did grow up in a box in Camden so we’ll let her off.
Then they all sang again, this time with the judges because otherwise they’d have to dare we say it, ask professionals or something, and Gary Barlow played the piano in a manner of sincerity. Don’t say they don’t treat you. They do. Sound about right? Okay good.
(Oh and Amelia Lily got voted out. Devastation for da nation.)
Christ sake. This again.
So this was the final FINALLY FINAL kind of X Factor final. Everything was so darn, FINAL about it. Wembley was there, Coldplay was there, Louis wore the entire concept of Hugh Heffner. It was all just very much there. All you could ever want from television. Olly Murs was there for Christ sake! Olly Murs! You don’t see him around much these days, do you? Aside from every waking second OBV, but who can’t have enough Olly Murs?
The proceedings began with a manic display of wonder and glory. (Oh no, not glory, what’s that other word? Oh right yeah, tedium.) and that. Yes, it was the group performance we’ve all been wrestling in our sleep over for the past three months. But wait one cotton-picking, Stacey Solomon singing Chris Rea MOMENT OF COMPLETE LACK OF REASON, there was Goldie! As in Goldie off of When Goldie Used To Be On The X Factor fame, who sings something inexplicably wrong and then crushes Dermot to death with a loving embrace akin to that of the bloke that gets spattered by a propeller in Titanic. Absolutely outstanding work, and better yet, no Frankie Cocozza – this just gets better and better. WE LOVE THE X FACTOR! Merry Amazing Christmas.
And, as Tolstoy always said, you can take the Frankie Cocozza out of the M&S advert, and apparently you can edit him out of life too. Always a rushing flurry of hope to our hearts, that little factoid. And seeing as we love not committing lots and lots of suicide, it works out pretty well all round.
Now, talking of singing some songs by some singers of song…
Kicking things off was Marcus with his personal highlight of the series, which turns out to be Higher and Higher, even though it was Reet Petite and oh, it doesn’t matter. It’s a minute and a half orchestration of something that at some point or another was made with love and care with the express determination to never be on a Debenhams advert. AS IT IS… Sherlock Rowland cleverly deduces that Higher and Higher is not only a song, but the way Marcus’ career is no doubt going, Y’ALL. Obviously she’s wrong in every single fibre, but to be fair does look like she’s been necking Terry Wogan’s special hand lotion for the past decade.
What do you mean, you want to know how Marcus did? No you don’t. There were still two hours to go. Time is actually replenishing. Next up after Marcus, was definitely not Marcus, which was kind of encouraging. LITTLE MIX of course. Or Little Muffins as Tulisa will desperately chip away at until she gets through the door and hacks Shelly Duvall to death clearly. Little Muffins though… Is that sentimental? Or is that just referring to your ‘friends’ (Tulisa. Seriously. Pull the other one) as big doughy balls of fat? We mean… Muffins. Don’t let us go on about it or anything, but muffins? Did Tulisa even stop to think that there might be a manifestation of foetal rubella infection called Blue Muffin Syndrome? Congrats Tulisa, sterling work as ever. Oh she also calls N Dubz fans her little ‘dublettes’ Nope, we’re staying well away from that one. Well away.
Remember when they used to be called Rhythamix? Those were the days. They should have just called themselves CHICKS WITH DICKS. That would’ve been awesome. We think this is possibly where The Saturdays are going wrong.
So what did the ITTLE WITTLE SUGAR LUMP GANG BANG IN CAR PARK MIXYMOOMINS pick for their final song? Obviously obviously it was the En Vogue one, due to it being catastrophically fan-fucking-tastic. Hark, it’s a bit like music almost. Get used to it.
With the contestants done in four and a half minutes, you’d think ITV1 might have to succumb to some dodgy filler material. Not a chance. We were proved staggeringly wrong with a very well thought out outside segment (YES, IT’S THE OUTSIDE SEGMENTS! Last year someone made Matt Cardle a David Cameron pizza! No one knows why!) of Olly Murs and Caroline Flack (or cock-whore-pedophile-bitch as we hear she’s moonlighting as these days) try and communicate with Dermot (HAHA ‘communicating with Dermot O Leary.’ THE THOUGHT!) whilst shoving screaming mental patients away from their shiny knees and precisely measured hints of popularity. Like we said before, we love The X Factor.
And then, to cries of ‘oh go on then‘, four hundred extra songs for the two contenders then. It’s Sunday night, we’ve got a busy working week, let’s treat ourselves… with Christmas songs. Bum. Marcus sang what confusingly sounded like a retro version of Last Christmas. A ‘retro’ version of Last Christmas, that came about in 1985, that would be. Bloody hell Marcus, buy some roller blades. Don’t get us started on the whole saying “Happy Christmas” instead of “Merry Christmas” in such a throwaway manner anyway, when we all very very much know the correct way to say the Merry Christmas bit when performing the popular festive number Last Christmas.
We’ve not been this disappointed since Bono didn’t sing “WELL TONIGHT THANK GOD IT’S THEM INSTEAD OF YOU” really loud in Band Aid 20 like he did in the 80s one. Or alternatively, we haven’t been this disappointed since Bono. We cater for all your needs.
Gary at some point around this stage accidently said “Sex Factor” we noticed, which is a bit of an exciting thing for him to do, for him, isn’t it? He would have had to listen to an entire Fleet Foxes EP to get back on track there. Little Mix then followed with their version of Silent Night and it was dull, but Christ, the hot blonde one is quite notably attractive. But then Westlife come on. We’re never complaining ever again. COME BACK LITTLE MIX AND SING AN ACAPELLA BARBERSHOP QUARTET VERSION OF SHALOM. Or a terriballs cover of Cannonball. We’re good either way.
You know how all the teenagers of today say how ‘good’ is like, ‘bad’, and like ‘sick’ is like ‘good’ and how ‘bad’ is like ‘good’? Well we mean good in the sort of ‘not good’ kind of way of good. You know, like how the teenagers do.
THE BIT WHERE THEY ALL SING CANNONBALL EXCESSIVE AMOUNTS TO THE POINT OF RELAPSE
We hated it very very much and wish it had not happened ever.
Finally, after a lot of faffing about and Coldplay, and all that sort of thing, we came to a rough compromise that we’ll let ‘inspiring women’ win The X Factor for a change instead of a shivery man. CONGRATULATIONS LITTLE MIX. You have made X Factor “history” as Phil Schofield is calling it these days. What a terrible Christmas No. 1 this is going to be though. Maybe we should fritter away our entire Christmas holiday, all join forces and try and get a post-post-ironic non-entity to Number One instead! Fuck family and Argos and Jesus!
(Just checked Brian May’s blog for his thoughts on the X Factor winners. Don’t think he’s caught up on the results yet. He must have been busy playing Bohemian Rhapsody for a cow in a field.)
Now for god’s sake, look at the state of this.
FOR GOD’S SAKE. Let’s never EVER do this ever again.