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Hecklergigs: Glasvegas, The Scala, 23/ 09
By Tom Atkinson on Friday, September 26, 2008 at 2:00pm | No Comment
Hecklergigs: Glasvegas, The Scala, 23/ 09 In the space of the last two years, Glasvegas have managed to attract a hype that would make even the marketers of Hollywood blockbusters jealous, drawing all kinds of comparisons for their audibly greasy and powerfully excellent chip shop rock n roll.
The most frequent and purposefully headline grabbing of these has to be their ‘new Oasis’ tag, a label that seems fairly at odds with a band initially known for the strength of their Scottish accents, but one that does at least have a little weight.
Discovered by Alan McGee? Check. While playing third on the bill at King Tut’s Wah Wah Hut in Glasgow? Check. Fronted by brothers? Check. Purveyors of moody, shouty anthems? Check, check and check again.
Of course, those kind of easy links are a record label’s dream, and the clamour won by Columbia for the signatures of the band has drummed up a fire and safety-busting capacity (and then some) crowd at the comparably small Scala in King’s Cross.
Hecklergigs: Cut Copy, Scala, 23/4
By hecklerspray staff on Monday, April 28, 2008 at 1:30pm | No Comment
Hecklergigs: Cut Copy, Scala, 23/4 There are many things that can stir up a sense of dread at the opening stages of a gig.
Poorly-judged chemical consumption, signs reading ‘Carling only’, or The Others as a support act are a few, but a wanker in a trilby and sunglasses (indoors) is just as effective.
For this reason, the start of Wednesday’s Cut Copy gig was an apprehensive one, but this man’s presence can be easily explained.
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