HecklerSpray

Grown Up Gossip & Internet Villainy

HecklerPlay – Top 10 Favourite Opening Lyrics

August 4th, 2012 By Si Sharp

Making a good first impression is important. In books it sets the tone, in social surroundings it allows busy idiots the chance to judge us, and in job interviews it provides a useful opportunity to explain that whilst, yes, you are technically on the sex offenders? register it was all a terrible mix-up and could have happened to anyone.

In music, the first line is underrated. We barely even notice them unless they're clunky or funny.

The best first lines can, like the opening of Kafka?s Metamorphosis, throw you right into the action or they can, like A Tale of Two Cities, set a vivid scene. They can provide an aggressive statement of intent or they can be just plain funny.

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Nick Ashford’s Best Tunes (RIP)

August 4th, 2012 By Mof Gimmers

Another stinkin’ obituary here, this time, legendary songwriter Nick Ashford who joins Jerry Leiber amongst the choir invisible who are now going to have one helluva songwriting duo working for them now.

Ashford was half of the legendary Motown songwriting duo Ashford & Simpson who penned more astonishing songs than you’ve had hot dinners.

Together, they wrote hits for Diana Ross, Ray Charles, Chaka Khan, Marvin Gaye, Marlena Shaw and, of course, had a number great records out themselves. So, instead of wallowing, let’s look at the amazing music.

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Marvin Gaye Biopic Due (We Can’t Think Of A Joke For The Headline)

February 16th, 2011 By Mof Gimmers

Marvin Gaye, one of the greatest soul singers who graced our undeserving ears, is going to be the subject of a new biopic directed by Julien Temple. Hardly surprising that someone would want to make a film about him with the life he had!

Professionally speaking, Marvin Gaye went from being a great pop star to a socially aware, right-on soul preacherman. From the glorious two-minuters of ‘It Takes Two’ and ‘Heard It Through The Grapevine’, to the far-reaching LPs of ‘What’s Going On’ and ‘Let’s Get It On’, Gaye covered a lot of ground.

However, away from the microphone and piano stool, Gaye had a soap opera of a life which belied the control he had musically. While ‘Inner City Blues’ confidently went about changing people’s perceptions of what black music could offer the world, Gaye couldn’t hope for a stable private life.

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