Guy Ritchie Still Not Giving Up On Revolver

by C J Davies on November 28, 2007 3 Comments

Revolver Guy RitchieRemember Revolver?

Come on – think back a couple of years. Fresh from the glowing success of previous effort Swept Away (which manages to claim the unique distinction of being the worst film ever to feature his wife Madonna) director Guy Ritchie decided that the best thing to do was 'intellectualise' his patented cockney crime film formula. Which – seeing as Ritchie probably thinks that 'intellectualise' is something you do to milk – was only going to end in tears.

And what tears they were. Variety calmly called it 'ill-advised,' the Hollywood Reporter claimed that 'one watched with increasing dismay,' while Shit Convoluted Films Made By Idiot Public Schoolboys Monthly called it 'an absolute cracker.'

With the general critical consensus against him, then, you'd think that Ritchie would be more than happy to sweep this mistake under the cine-carpet and get busy making his next steaming puddle of cack silver-screen foray.

Weeeeelll… not exactly.

Admitting that the movie was 'difficult to follow' - kind of like Stalin admitting his social policies were 'a bit extreme' - Ritchie has apparently rejigged the production for the American market, and is all ready to unleash the director's cut of his misunderstood opus stateside.

Quite what the Americans have done to deserve this remains a mystery. Sure, they recently kickstarted a war that'll probably escalate into wider Middle-East conflict and result in us all being charred to radioactive cinders by Islamic nutbags, but come on. We'd already given them Snatch. Why can't we just see that as preemptive punishment?

Baby-collectin' Madonna herself is jumping aboard the Revolver-reviving revolution, too, having helped to arrange a V.I.P preview in New York on Sunday. Among the celebrity guests subjecting themselves to this recut monstrosity will be Howard Stern, Lauren Bacall, Helena Christensen, Patricia Clarkson and Ivanka Trump. And probably Peaches Geldof, provided there's a camera she can shove her gurning squirrel-with-Rimmel features in front of.

Incidentally, hecklerspray was invited too. We won't be going though. Film Four has pretty much sewn our evening up for us: an extended version of The Avengers followed by the original cut of Ishtar, all finished off by the three-hour 'director's vision' version of Gigli.

Even more dialogue for Jennifer Lopez? Just you try and stop us.

Read More:

Madonna And Ritchie Push Revolver In US - Contactmusic

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{ 3 comments… read them below or add one }

Matt Love November 30, 2007 at 6:35 am

I wish there was an original cut of Ishtar, that would be wicked awesome. This is going to be a great year for Ishtar… the 20th anniversary will mark a big resurgence. There is a documentary film about Ishtar fandom in the works, the manager of the Ishtar fan website (http://www.ishtarthemovie.com/) is putting together a tribute CD featuring cover versions of songs from the movie, and possibly a US release on DVD (something the heathen in Europe have been enjoying for years). So shake off that square world, get with the countdown, and blast off to Ishtar!

http://movies.groups.yahoo.com/group/ILoveIshtar/
http://www.waitingforishtar.com/
http://www.ishtarthemovie.com/

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Joachim Perturbado November 17, 2010 at 3:16 am

Since I don’t know which version of Revolver is which (I didn’t get retail packaging, ahem) I’ll just say this: the version in which Sorter lives and the final face-down with Macha ends with “fear me” is one of the finest films known to man. In it are (some of) the very keys to your own personal freedom, if you’re advanced enough spiritually to understand them. Yeah you heard me right: Revolver contains several effective keys to ego attenuation. However, the other version, in which Sorter dies and the final face-down with Macha is at a swimming pool, is so-so. Not bad, and certainly not deserving of the rubber-hose beating it’s gotten. The keys are fairly obfuscated, though they are still there, barely.

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Radu May 2, 2011 at 11:31 pm

I was just going to post the exact same comment as Joachim above. I’ve seen both versions of the movie and, though I still have no idea which is which, the one where Sorter lives is much better. It also makes Revolver one of the best films I’ve ever seen. I was disappointed to see what a bad reception it got, but I guess it just goes to show that most people are not ready to understand the beautiful metaphor that Ritchie created. So I guess people were just confused. Much like I was the first time I saw Mulholland Drive. But I guess if it had been Lynch who’d come up with this film instead of Guy Ritchie, people might have paid more attention.

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