by David Scarborough
Horror remakes are the kind of subgenre that appear to be greenlit with reckless abandon but are approached, by everyone but a select lobotomised few, with nothing but sheer trepidation. They’re a scary prospect, these days. At least The Stepfather has the decency to eliminate the inconvenience of having to guess who the killer is [...]
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by David Scarborough
Roland Emmerich (Independence Day, The Day After Tomorrow) ushers in another wave of pixel-powered doom, this time wiping out our collective brain cells with his latest movie of mass destruction. 2012 is one of those happy movies; on one hand, serving up a doom-laden prophecy of global annihilation and, on the other, making you utterly [...]
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